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Robert Harron - a nice portrait
Silent Hall of Fame is looking for contributors to create an original biography for this star.
Robert Emmett "Bobby" Harron (April 12, 1893 – September 5, 1920) was an American motion picture actor of the early silent film era. Although he acted in over 200 films, he is known for his roles in the D.W. Griffith directed films The Birth of a Nation (1915) and Intolerance (1916).
Robert Harron was born Robert Emmett Harron in New York City, New York, U.S., he was second oldest child of nine siblings in a poor, working-class Irish-Catholic family. He attended the Christian Brothers school in Greenwich Village and beginning at the age of thirteen found work as a messenger boy for American Biograph Studios to help support his family. Within a year of working for Biograph, Robert Harron and Christian Brothers friend and classmate James Smith were noticed by newly hired director D.W. Griffith who put both young boys under contract and the pair began appearing in bit parts for the studio. His first film was the now lost 1907 Biograph short Bobby's Kodak. Harron quickly became a favorite of Griffith and Griffith began to give the 14-year-old increasingly larger film roles.
The teenaged Robert Harron was often cast by Griffith in the role of the sensitive and naïve boy, who was overwhelmingly sympathetic and appealing to American film-goers in the very early years of American motion pictures and not far removed from Harron's real-life persona; Harron was often described as a quiet and soft-spoken youth. It was these traits that helped garner much public interest in the young actor, especially amongst young female fans. In 1912 alone, Robert Harron appeared in nearly forty films at Biograph.
Harron is probably best recalled for his roles in the three epic Griffith films: 1914's Judith of Bethulia, opposite Blanche Sweet, Mae Marsh, Henry B. Walthall and Dorothy and Lillian Gish, 1915's controversial all-star cast The Birth of a Nation, and 1916's colossal multi-scenario Intolerance opposite such popular stars of the era Lillian Gish, Mae Marsh, Wallace Reid, Harold Lockwood, Carol Dempster and Mildred Harris. One of Harron's most popular roles of the era came in 1919 when he starred opposite Lillian Gish in the Griffith directed romantic film True Heart Susie.
Robert Harron's film career continued to flourish throughout the 1910s and he was occasionally paired with leading actresses Mae Marsh and Lillian Gish with romantic plots, often in roles that cemented his sensitive boy image. Harron had, in fact, a burgeoning off-screen romantic relationship with Dorothy Gish. By 1920 however, it was reported that film director D. W. Griffith's interest in the young actor had waned and when Griffith hired film actor Richard Barthelmess to star in his 1920 film Way Down East, Harron was inconsolable. On September 5, 1920, while in New York City to attend the film premiere of Way Down East, Harron fatally shot himself in the left lung in his hotel room with a revolver that he had placed in a jacket.
Supposedly the weapon was purchased during the afternoon from a street begger as Harron did not believe in just handing out money unless something was bought. That was done because he wanted people to feel as if they actually earned the funds given. The shooting story is related as that while changing jackets for the evening's event, the gun fell out of the pocket and when it struck the floor the bullet was released.
Although the death was officially ruled accidental, many historians believe that Harron committed suicide. However, many of those closest to the actor vehemently refuted that Harron, a devout Catholic, would ever have considered suicide. While on his deathbed, Harron reportedly confided to his boyhood priest that his gunshot wound was the result of an accident.
Robert Harron was 27 years old at the time of his death and had never married. His film career spanned nearly fifteen years and Harron had appeared in over two hundred films.
Harron was interred at Calvary Cemetery in Woodside, Queens, New York City.
From Filmbug
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Robert Harron
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Robert Harron in "The Lesson" (1910).
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Mae Marsh and Robert Harron in "His Mother's Son" (1913), directed by D. W. Griffith, cinematographer Billy Bitzer.
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Wilfred Lucas and Robert Harron in "Under Burning Skies" (1912), directed by D. W. Griffith, cinematographer Billy Bitzer.
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Robert Harron in "The Birth of a Nation" (1916), directed by D. W. Griffith, cinematographer Billy Bitzer.
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Robert Harron in "The Long Road" (1911), directed by D. W. Griffith, cinematographer Billy Bitzer.
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Mae Marsh and Robert Harron in "The Reformers" (1913), directed by D. W. Griffith, cinematographer Billy Bitzer.
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Robert Harron in "The Reformers" (1913), directed by D. W. Griffith, cinematographer Billy Bitzer.
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Robert Harron in "A Child of the Paris Streets" (1916).
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Mae Marsh and Robert Harron in "A Child of the Paris Streets" (1916).
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Robert Harron in "The Yaqui Cur" (1913), directed by D. W. Griffith, cinematographer Billy Bitzer.
Robert-Harron-and-Harry-Carey-in-The-Burglars-Dilemma-1912-director-DW-Griffith-cinematographer-Billy-Bitzer-02.jpg
Robert Harron and Harry Carey in "The Burglar's Dilemma" (1912), directed by D. W. Griffith, cinematographer Billy Bitzer.
Robert-Harron-in-The-Battle-1911-director-DW-Griffith-cinematographer-Billy-Bitzer-13.jpg
Robert Harron gets orders during heavy fighting in "The Battle" (1911), directed by D. W. Griffith, cinematographer Billy Bitzer.
Robert-Harron-in-The-Little-Tease-1913-director-DW-Griffith-cinematographer-Billy-Bitzer-09.jpg
Robert Harron in "The Little Tease" (1913), directed by D. W. Griffith, cinematographer Billy Bitzer.
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Robert Harron is desperate for not finding Mae Marsh in "The Sands of Dee" (1912), directed by D. W. Griffith, cinematographer Billy Bitzer.
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Robert Harron is about to make a major invention in "Brute Force" (1914), directed by D. W. Griffith, cinematographer Billy Bitzer.
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Robert Harron vows revenge in "A Temporary Truce" (1912), directed by D. W. Griffith, cinematographer Billy Bitzer.
Robert-Harron-and-Mae-Marsh-in-The-Avenging-Conscience-1914-director-DW-Griffith-cinematographer-Billy-Bitzer-07.jpg
Robert Harron is attracted to Mae Marsh in "The Avenging Conscience" (1914), directed by D. W. Griffith, cinematographer Billy Bitzer.
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Robert Harron declares to Mae Marsh in "The Avenging Conscience" (1914), directed by D. W. Griffith, cinematographer Billy Bitzer.
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Robert Harron in "The Boy Detective" (1908), cinematographer Billy Bitzer.
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Robert Harron is ready for a fight in "1776, or The Hessian Renegades" (1909) directed by D. W. Griffith.
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Robert Harron and Mae Marsh marvel at his wonder weapon in "Man's Genesis" (1912), directed by D. W. Griffith, cinematographer Billy Bitzer.
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Robert Harron is about to leave after an argument with Mae Marsh in "Intolerance" (1916), the Modern Story, directed by D. W. Griffith, cinematographer Billy Bitzer.
Robert-Harron-and-Mae-Marsh-in-Intolerance-1916-director-DW-Griffith-cinematographer-Billy-Bitzer-17.jpg
Robert Harron gets a kiss from Mae Marsh after proposing to her in "Intolerance" (1916), the Modern Story, directed by D. W. Griffith, cinematographer Billy Bitzer.
Robert-Harron-and-Mae-Marsh-in-Intolerance-1916-director-DW-Griffith-cinematographer-Billy-Bitzer-25.jpg
Robert Harron and Mae Marsh find his gun by a dead man's body in "Intolerance" (1916), the Modern Story, directed by D. W. Griffith, cinematographer Billy Bitzer.
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Robert Harron prays before execution in "Intolerance" (1916), the Modern Story, directed by D. W. Griffith, cinematographer Billy Bitzer.
Robert-Harron-and-Mae-Marsh-in-Home-Sweet-Home-1914-director-DW-Griffith-cinematographer-Billy-Bitzer-10.jpg
Robert Harron proposes to Mae Marsh at the wrong time in "Home, Sweet Home" (1914), directed by D. W. Griffith, cinematographer Billy Bitzer.
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Robert Harron gives a souvenir to Mae Marsh in "Home, Sweet Home" (1914), directed by D. W. Griffith, cinematographer Billy Bitzer.
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Robert Harron pauses before leaving Mae Marsh's town for good in "Home, Sweet Home" (1914), directed by D. W. Griffith, cinematographer Billy Bitzer.
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Robert Harron chases a thief in "The Miser's Heart" (1911), directed by D. W. Griffith, cinematographer Billy Bitzer.
Robert-Harron-in-The-Musketeers-of-Pig-Alley-1912-director-DW-Griffith-cinematographer-Billy-Bitzer-13.jpg
Robert Harron follows his gang leader in "The Musketeers of Pig Alley" (1912), directed by D. W. Griffith, cinematographer Billy Bitzer.
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Robert Harron walks out of the store carrying a bucket in "Balked at the Altar" (1908), director D.W. Griffith.
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Robert Harron in "Judith of Bethulia" (1914), directed by D. W. Griffith, cinematographer Billy Bitzer.
Florence-Lawrence-and-Robert-Harron-in-The-Song-of-the-Shirt-1908-director-DW-Griffith-cinematographer-Billy-Bitzer-5.jpg
Florence Lawrence implores Robert Harron for some work in "The Song of the Shirt" (1908), directed by D. W. Griffith, cinematographer Billy Bitzer.
Robert-Harron-in-Fighting-Blood-1911-director-DW-Griffith-cinematographer-Billy-Bitzer-00rj.jpg
Robert Harron makes enemy persecutors flee in "Fighting Blood" (1911), directed by D. W. Griffith, cinematographer Billy Bitzer.
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Robert Harron notices Mae Marsh for the first time in "Hoodoo Ann" (1916).
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Mae Marsh rejects the marriage proposal made by Robert Harron in "Hoodoo Ann" (1916).
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Robert Harron and Florence La Badie in "Enoch Arden" (1911) #2, directed by D. W. Griffith, cinematographer Billy Bitzer.
Florence-La-Badie-and-Robert-Harron-in-Enoch-Arden-1911-director-DW-Griffith-cinematographer-Billy-Bitzer-04rj.jpg
Robert Harron and Florence La Badie in "Enoch Arden" (1911), directed by D. W. Griffith, cinematographer Billy Bitzer.
Robert-Harron-in-Hearts-of-the-World-1918-director-DW-Griffith-cinematographer-Billy-Bitzer-001.jpg
Robert Harron in "Hearts of the World" (1918) #2, directed by D. W. Griffith, cinematographer Billy Bitzer.
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Robert Harron in "Hearts of the World" (1918), directed by D. W. Griffith, cinematographer Billy Bitzer.
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Robert Harron and Lillian Gish have an argument in "Hearts of the World" (1918), directed by D. W. Griffith, cinematographer Billy Bitzer.
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Robert Harron kisses his little brother before going to battle in "Hearts of the World" (1918), directed by D. W. Griffith, cinematographer Billy Bitzer.
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Robert Harron in "A Romance of Happy Valley" (1919), directed by D. W. Griffith, cinematographer Billy Bitzer.
Lillian-Gish-and-Robert-Harron-in-A-Romance-of-Happy-Valley-1919-director-DW-Griffith-cinematographer-Billy-Bitzer-01rh.jpg
Robert Harron talks to Lillian Gish in the corn field in "A Romance of Happy Valley" (1919), directed by D. W. Griffith, cinematographer Billy Bitzer.
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Robert Harron tells his father he wants to go to New York in "A Romance of Happy Valley" (1919), directed by D. W. Griffith, cinematographer Billy Bitzer.
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Robert Harron pauses before leaving for New York in "A Romance of Happy Valley" (1919), directed by D. W. Griffith, cinematographer Billy Bitzer.
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Robert Harron is thrilled that he will go to college in "True Heart Susie" (1919), directed by D. W. Griffith, cinematographer Billy Bitzer.
Clarine-Seymour-and-Robert-Harron-in-True-Heart-Susie-1919-director-DW-Griffith-cinematographer-Billy-Bitzer-16.jpg
Robert Harron is charmed by Clarine Seymour in "True Heart Susie" (1919), directed by D. W. Griffith, cinematographer Billy Bitzer.
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Robert Harron can't resist the charms of Clarine Seymour in "True Heart Susie" (1919), directed by D. W. Griffith, cinematographer Billy Bitzer.
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Robert Harron in a scene from "Coincidence" (1920), his last film, released in May of 1921, 8 months after his death.
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Robert Harron portrait.
http://silent-hall-of-fame.org/images/StarPictures/Robert-Harron/Robert-Harron-portrait-2.jpg
Robert-Harron-straw-hat.jpg
Robert Harron in a nice portrait with a straw hat.
http://silent-hall-of-fame.org/images/StarPictures/Robert-Harron/Robert-Harron-straw-hat.jpg
Robert-Harron-portrait-3.jpg
Robert Harron in a nice portrait.
http://silent-hall-of-fame.org/images/StarPictures/Robert-Harron/Robert-Harron-portrait-3.jpg
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Robert Harron - Sincerely Yours.
http://silent-hall-of-fame.org/images/StarPictures/Robert-Harron/Robert-Harron-sincerely-yours.jpg
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Director D. W. Griffith and Robert Harron.
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Robert Harron and Lillian Gish - publicity for "True Heart Susie" (1919).
Robert Harron and Mae Marsh in "Intolerance" (1916).
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